Our criteria were as follows: A page had to have either changed the way creators approach making comics, or it had to expertly distill a change that had just begun. To assemble our list of 100, we assembled a brain trust of comics professionals, critics, historians, and journalists. When comics have moved in new directions, the pivot points come in a page. In the best pages, one is torn between staring endlessly at what’s in front of you or excitedly turning to the next one to see where the story is going. If there are words, they become elements of the image itself, thanks to the carefully chosen economy of the writer and the thoughtful graphic design of the letterer. It is where multiple images can allow your eye to play around in time and space simultaneously, or where a single, full-page image can instantly sear itself into your brain. We chose to focus on individual pages rather than complete works, single panels, or specific narrative moments because the page is the fundamental unit of a comic book. We have set out to trace the evolution of American comics by looking at 100 pages that altered the course of the field’s history. Printed images - and the comic book medium’s unique presentation of them - are at the heart of this feature. From floppy single issues of superhero sagas to hefty graphic novels, harrowing comic-book memoirs to YA fare about queer adventurers, readers can tap into a dizzying array of what the great cartoonist Will Eisner famously termed “sequential art.” And, as evidenced by the sheer number of adaptations in film, television, and even on the Broadway stage, the rest of the entertainment industry has grown wise to what fans have long known: There’s a special alchemy that comes when you tell a story with pictures. Yet today, the medium is flourishing in ways its ancestors could never have imagined. Cheaply printed and barely edited, those pamphlets were not what a critic at the time would have called high art. When the first comics arrived on newsstands in the early 1930s, they were a cynical attempt to put old wine in new bottles by reprinting popular newspaper comic strips. Rather, it took a steady progression over the course of more than 75 years for the form to fully understand, and then harness, its powers. No radioactive spider bite, atomic explosion, or shadowy experiment granted the medium the sort of ability that would have allowed it to arrive on early-20th-century drugstore racks as glossy, fully formed vehicles for sophisticated entertainment.
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I can’t explain it, it’s science.The origin story of comic books isn’t flashy. Those peepers convey so much emotion, as the Beast and as his human form. Adam receives the silver medal for many reasons. Prince Adam, Beauty and the BeastĪdam is hot in both forms – beast and human. But here, let us celebrate his sensibility (or lack thereof in adopting 101 dalmatians), his great sense of style, and his overall babeliness. He gets left off because he’s in an older Disney flick, he’s just a nice man, and he’s not a prince. Honestly, Roger is one of the inciting reasons for this list. “I See the Light” is such a swoonworthy duet, too! 3. We stan a fraudulent hero who can smolder and we will not apologize for it. Aladdin also plans great dates hello, magic carpet rides? 4. He is an adorable street rat with a huge smile and great hair.
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Aladdin, AladdinĪladdin runs around Agrabah shirtless in a vest, is so confident in being a con man but is so genuine and full of heart.
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So animated Milo fits right in, such a hot, sweet dork! 5. Secondly, I think “hot professor” is just my type now. First, Cole Sprouse dressed like him for Halloween. My interest in Milo Thatch has increased exponentially since I was a kid.
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He is a good teacher, too! I want to learn how to climb vines from Tarzan. Tarzan is CUT, is a fast learner, incredibly patient and protective, and looks equally hot in a loincloth or English dress. He also has a lil’ hat and is full of energy. Thomas, voiced by Christian Bale, is supportive and super cute.
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I know for a fact everyone is sleeping on Thomas. Hans is also devastatingly handsome and “Love is an Open Door” is a perfect duet. The turn in Frozen is a wonderful subversion of fairy tale tropes. The chin, the smile, the bod, the kindness – Herc is the whole package. First, the great muse “Honey, you mean Hunk-ules!” Next, Meg: “Did they give you a name along with all those rippling pectorals?” The screaming group of girls: “I GOT HIS SWEATBAND!!!” Herc is fit, he’s sweet, and he is a HERO. I pull the following quotes to support Herc being so high on this list. Classically handsome, musically inclined, looks good in various states of undress – Prince Eric is one of my guys.